Not to criticize your friend, but it isn't as if things following his path is sn inevitable law of nature.
Coincidentally I went from being an Audio consumer to a person that developes audio hard- and software, and mixes music in my spare time and deals with live sound in acoustically challenging rooms in my work (to keep things short, I do/did even more).
While I certainly spent some money on audio equipment, I can't say that you need infinitly expensive stuff to enjoy it. For me it went exactly the opposite way. Where as a teenager I thought you need all that expensive stuff to make and listen to music on a high level, I now know what matters and what doesn't.
There is a point beyond which things don't matter factually, because they are beyond the limits of human perception. Audiophiles then trick themselves into hearing the atoms that make up the wire, when every measurement doesn't show anything.
One of my mics I prefer most on floor drums is a modified Pyle Karaoke mic I got from Amazon for 30 bucks and added a cheap transformer into. My headphones are maybe 200 bucks (and half of that was paid for reliability, not for sound quality). I got a second pair for closer to 1200 bicks, but thst is just for retouche work where I need to hear the faintest background noises, I actually prefer the sound of the cheaper ones.
I am still amazed by most recordings I was amazed by when I started on my journey. In fact more so now.
We don't need to inevitably turn everything into a stage to show off our own mental superiority. Especially in the audiophile realm these people claim to hear things that they wouldn't be able to pick out reliably in a properly conducted double-randomized blind test. And everything else is basically worthless since you then just measure a persons ability to fool themselves.
Recently my assistant who just started out in the field came for advice. She wanted to spend some money on a mic and audio interface. And I recommended her one for a quarter of the price she planned on spending since it basically had the same measurements and better software support. As for mics I told her to test my mics with that interface and she should use that test to figure out what she wants. Originally she wanted to spend good money on getting an expensive studio mic, in the test my old dynamic Sennheiser MD21 that I got from ebay won. She got the same for cheap from there as well.
Don't get me wrong, I will be the first to hear bad acoustics, missaligned speakers, a dying loudspeaker suspension, a overdriven amplification system, a missed buffer deadline, a bad mix, a bad recording, phase issues, etc. It is my job to notice. But that doesn't mean I can't enjoy the music running over such a system as much as I did before I knew all that. In fact I might even enjoy it more.
Coincidentally I went from being an Audio consumer to a person that developes audio hard- and software, and mixes music in my spare time and deals with live sound in acoustically challenging rooms in my work (to keep things short, I do/did even more).
While I certainly spent some money on audio equipment, I can't say that you need infinitly expensive stuff to enjoy it. For me it went exactly the opposite way. Where as a teenager I thought you need all that expensive stuff to make and listen to music on a high level, I now know what matters and what doesn't.
There is a point beyond which things don't matter factually, because they are beyond the limits of human perception. Audiophiles then trick themselves into hearing the atoms that make up the wire, when every measurement doesn't show anything.
One of my mics I prefer most on floor drums is a modified Pyle Karaoke mic I got from Amazon for 30 bucks and added a cheap transformer into. My headphones are maybe 200 bucks (and half of that was paid for reliability, not for sound quality). I got a second pair for closer to 1200 bicks, but thst is just for retouche work where I need to hear the faintest background noises, I actually prefer the sound of the cheaper ones.
I am still amazed by most recordings I was amazed by when I started on my journey. In fact more so now.
We don't need to inevitably turn everything into a stage to show off our own mental superiority. Especially in the audiophile realm these people claim to hear things that they wouldn't be able to pick out reliably in a properly conducted double-randomized blind test. And everything else is basically worthless since you then just measure a persons ability to fool themselves.
Recently my assistant who just started out in the field came for advice. She wanted to spend some money on a mic and audio interface. And I recommended her one for a quarter of the price she planned on spending since it basically had the same measurements and better software support. As for mics I told her to test my mics with that interface and she should use that test to figure out what she wants. Originally she wanted to spend good money on getting an expensive studio mic, in the test my old dynamic Sennheiser MD21 that I got from ebay won. She got the same for cheap from there as well.
Don't get me wrong, I will be the first to hear bad acoustics, missaligned speakers, a dying loudspeaker suspension, a overdriven amplification system, a missed buffer deadline, a bad mix, a bad recording, phase issues, etc. It is my job to notice. But that doesn't mean I can't enjoy the music running over such a system as much as I did before I knew all that. In fact I might even enjoy it more.