> I understand artists etc. Talking about AI in a negative sense, because they don’t really get it completely, or just it’s against their self interest which means they find bad arguments to support their own interest subconsciously.
Running this paragraph through Gemini, returns a list of the fallacies employed, including - Attacking the Motive - "Even if the artists are motivated by self-interest, this does not automatically make their arguments about AI's negative impacts factually incorrect or "bad."
Just as a poor person is more aware through direct observation and experience, of the consequences of corporate capitalism and financialisation; an artist at the coal face of the restructuring of the creative economy by massive 'IP owners' and IP Pirates (i.e.: the companies training on their creative work without permission) is likely far more in touch the the consequences of actually existing AI than a tech worker who is financially incentivised to view them benignly.
> The idea that AI is anything less than paradigm shifting, or even revolutionary is weird to me.
This is a strange kind of anti-naturalistic fallacy. A paradigm shift (or indeed a revolution) is not in itself a good thing. One paradigm shift that has occurred for example in recent goepolitics is the normalisation of state murder - i.e.: extrajudicial assassination in the drone war or the current US govts use of missile attacks on alleged drug traffickers. One can generate countless other negative paradigm shifts.
> if I produce something art, product, game, book and if it’s good, and if it’s useful to you, fun to you, beautiful to you and you cannot really determine whether it’s AI. Does it matter?
1) You haven't produced it.
2) Such a thing - a beautiful product of AI that is not identifiably artificial - does not yet, and may never exist.
3) Scare quotes around intellectual property theft aren't an argument. We can abandon IP rights - in which case hurrah, tech companies have none - or we can in law at least, respect them. Anything else is legally and morally incoherent self justification.
4) Do you actually know anything about the history of art, any genre of it whatsoever? Because suggesting originality is impossible and 'efficiency' of production is the only form of artistic progress suggests otherwise.
Running this paragraph through Gemini, returns a list of the fallacies employed, including - Attacking the Motive - "Even if the artists are motivated by self-interest, this does not automatically make their arguments about AI's negative impacts factually incorrect or "bad."
Just as a poor person is more aware through direct observation and experience, of the consequences of corporate capitalism and financialisation; an artist at the coal face of the restructuring of the creative economy by massive 'IP owners' and IP Pirates (i.e.: the companies training on their creative work without permission) is likely far more in touch the the consequences of actually existing AI than a tech worker who is financially incentivised to view them benignly.
> The idea that AI is anything less than paradigm shifting, or even revolutionary is weird to me.
This is a strange kind of anti-naturalistic fallacy. A paradigm shift (or indeed a revolution) is not in itself a good thing. One paradigm shift that has occurred for example in recent goepolitics is the normalisation of state murder - i.e.: extrajudicial assassination in the drone war or the current US govts use of missile attacks on alleged drug traffickers. One can generate countless other negative paradigm shifts.
> if I produce something art, product, game, book and if it’s good, and if it’s useful to you, fun to you, beautiful to you and you cannot really determine whether it’s AI. Does it matter?
1) You haven't produced it.
2) Such a thing - a beautiful product of AI that is not identifiably artificial - does not yet, and may never exist.
3) Scare quotes around intellectual property theft aren't an argument. We can abandon IP rights - in which case hurrah, tech companies have none - or we can in law at least, respect them. Anything else is legally and morally incoherent self justification.
4) Do you actually know anything about the history of art, any genre of it whatsoever? Because suggesting originality is impossible and 'efficiency' of production is the only form of artistic progress suggests otherwise.